Follow up in a week or two (depending on the person) if they haven’t replied.
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I personally use a software called Notion (has database functionality) to track YouTube channels, Soundcloud pages, labels and more. To make this easier, you’ll want to be making a list of emails of relevant people you can send your music to. And use the Hubspot extension to track email opens, you’ll thank me later. Those channels are great but always try email first. Not to say that you can’t use avenues like Facebook, Twitter and Instagram. Granted, this won’t usually be the case for huge names in the industry, but email networking works. Here’s an example of me emailing my track to someone for a YouTube upload, and look at the difference in response time. In this case, it was a form that sends them an email, but the point still stands. I got my biggest play numbers out of email networking, including a top placement on one of Majestic Casual’s weekly playlists on Soundcloud. And you can communicate with them through this channel, no matter if they have Facebook, Instagram, Twitter or not. How does this relate back to SoundCloud you might ask? Email for NetworkingĮveryone has an email. that doesn’t rely on a platform that could be gone soon.that goes to a place they check very often.
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Once you know who to send music to, then you need to figure out how.ĭownload for free Strategy 3: Email is still King Don’t be too scared if your music isn’t exactly the same as what’s already there, but if it’s too different, it’ll likely get a pass. So play a few of their previous uploads/shares and make a decision. They are already looking for very specific kinds of music for their tastes. Don’t go messaging someone just because they have a lot of followers. The key here is to find channels that are a good fit for your music.
This might be confusing to say, but it’s true. Be patient and keep making a large volume of music.Get feedback from listeners, tastemakers and other artists.Make sure your core musical ideas are solid – production, mixing and mastering won’t matter otherwise.So how do I make my music ‘better’? That’s another topic entirely, and that’s also why we have courses like EDM Foundations and Songwriting for Producers. So while promoting music online is important, getting feedback and taking that into the studio will prove to be a much more valuable use of time. Plus, you’re likely to get valuable feedback from the public if you ask for it, allowing you to gauge what will and won’t work.
One of my newer drum & bass tracks, a bootleg of Porter Robinson’s Get Your Wish, got a lot of plays and was shared a lot more, because this track is much higher quality than my old stuff.īut this begs the question – should I upload my music if it’s not 100% there yet? This is arguable, but on a platform like SoundCloud, the stakes are much lower, with removing tracks being just a click away.